Miranda Stone - 7 Deadly Sins
The road is no stranger to Toronto’s Miranda Stone. Ten years of writing
and performing her own music have seen Stone adopt a near constant tour
schedule, often playing over a hundred shows a year, both solo and with
a full band. Her fans have responded to her devotion in kind, springing
up in fiercely loyal pockets throughout Canada and the United States and
driving sales of her previous two releases into the ten thousand range
despite a near total lack of distribution.
Her audience recognizes something unique in Stone’s work. Hers is a
music of the soul, with the quest for a human connection as much a part
of the art as is the writing and performing. That quest raises her work
well above the ordinary, a fact recognized by booking agents and
festival organizers as well as casual listeners. Interspersed with
countless shows in bars, colleges, basements, just about any venue with
an audience hungry for a true voice, festival bookers have seen fit to
have Stone share the bill with the likes of Bruce Cockburn, Victoria
Williams, David Eugene Edwards (16 Horsepower), Damien Jurado, Pedro the
Lion, Over the Rhine, Rosie Thomas, The Vigilantes of Love and other
songwriters of similar quality and not only has she held her own, she
has won new fans and converts.
Following a previous studio recorded EP and a full length live record
her newest release, Seven Deadly Sins, stands as Stone’s first full
length studio effort and it can safely be said that this is the record
her fans have been waiting for. Balancing the power of her live
performances with the intricate arrangements afforded by the studio
setting, her passion with her poetry, Seven Deadly Sins draws elements
of jazz, country and blues rock into Stone’s already deft
singer-songwriter palette. But regardless of whether the guitar couching
the voice be electric or acoustic, regardless of whether the
arrangements are bolstered with strings, keys and horns or if they are
left bare, the voice throughout remains distinctly Stone’s own as she
delves into herself in search of something universal. Seven Deadly Sins
captures an artist in peak form as both a writer and performer. Stone
draws from the same well as writers Anne Lamott and Annie Dillard, those
who are able to draw truth and beauty from their own experience without
ever straying into self-indulgence. Whether judged in terms of writing
or performance, Seven Deadly Sins stands as Stone’s finest work to date
and establishes her as a significant voice in the singer-songwriter
world.
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