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In
2003 The Saskatoon Star Phoenix wrote, "This is the type of artist who
can translate half a minute of life experience into a profound musical
statement. It's almost scary to imagine the effect a few years will have
on her." Fast forward nearly two years and Lesley Pike is back, armed
with her new full-length record, "Dreaming Back To Life".
Dreaming
Back To Life (May, 2005) features nine tracks, all penned by
Pike. Recorded largely at Umbrella Sound in Toronto, and mastered by Joao
Carvalho, the album features Lesley on Piano and Acoustic Guitar, and
her guelph-based band, Joe Harrison (Bass), Andrew Stuart (Guitar), Phill
McFadden (Drums), Cameron Guthrie (Drums, Percussion), as well as guest
vocalist Martin Acosta (Stradio) on two of the tracks.
Before
heading into the studio to record "Dreaming Back To Life",
Lesley spent nearly two years playing shows in support of her 2003 critically
acclaimed independent release "Night Visions", which earned her considerable
press across Canada and significant play on the CBC. Lesley quickly became
known for her talent, charisma and stage presence, earning coveted spots
on stage with Pilate, Turn Off The Stars, Stabilo, Butterfly Boucher,
The Devlins, Tristan Prettyman, Danny Michel, and Peter Elkas to name
a few.
In "Dreaming
Back To Life", The Wingham, ON born singer, who holds an honours
bachelor degree in Classical Music from WLU, tackles an ambitious range
of topics. From the unabashedly honest and uplifting "Rather Be" to the
hopeful longing in the title track, the affirmed resignation of "This
Fire" and the stark vulnerability of "Mercy", Pike has successfully established
and defined her own niche and sound.
"This
record is more diverse than the last record, a bit meatier, and overall
I hope the outlook is a bit more hopeful", says Pike of her sophomore
effort. "On "Night Visions", I basically wrote exactly what I felt without
thinking twice about what people would take from it or the impressions
they may form. And I really like that in a way, because it's completely
honest and raw, but I didn't anticipate the flip side of it - that people
might think I'm really quite depressed!" Pike continues, "I remember a
neighbour leaving a note in my mailbox after he listened to the record
that said something to the effect of "it's really beautiful…and I hope
that you are okay'.
This
startling realization motivated Pike to better define and articulate exactly
what she wanted to convey. "This time around I wanted to be more careful
- I wanted the songs to be raw and honest, but also wanted people to see
that there's a light at the end of the tunnel."
When
it comes to lyrical content, Lesley continues to draw from personal experiences.
"This past year seemed to be the year when I all of a sudden had to deal
with REAL issues. Death. Change. Disappointment. A sense of loss that
I hadn't experienced before. Things you can't just shrug off and you have
absolutely no control over", says Pike. "There were times when I thought
"I don't know how people do this - how do people survive these kinds of
things? And I couldn't quite get my head around it - sometimes I still
can't. But those are the times when you are the most human and your relationships
become that much stronger and you feel closer to everything and more alive.
I wanted the songs to capture some of that."
Of course,
for any female in her mid-twenties, there will always be a thread of romance
and heartache, and much of Lesley's writing is still fuelled by the ongoing
highs and lows of romantic relationships. In "This Fire" she
sings "Is it me, could I be blind? / You'll say I walked into this
fire with my eyes open wide…/ so save your remorse, and I will not complain…"
Pike readily admits the song is, at least initially, "about a boy", but
she continues, "I wrote it in a way that it would apply to other areas
of my life. Not shying away from pain. Taking on challenges. Taking responsibility.
Not always looking back and worrying about the "why", but instead looking
forward at how to make things better in the future". It seems she has
found a new maturity in her writing and in her perspective, a willingness
to embrace the experiences that life brings. "This song is kind of like
my 'fine, these things happen and I'm definitely going to share the blame,
but I'm also going to take everything I can from this experience to learn
and grow as best I can, and I'm going to be a better person because of
it', where in the past it may have been a bit more "I liked you, you liked
me, it didn't work, I'm bitter, this sucks".
The title
track, "Dreaming Back To Life" captures that terrifying yet exhilarating
feeling you get when you put yourself completely out there and lay everything
on the line with absolutely no assurance about how everything is going
to turn out. Says Pike, "If I can encourage or inspire that kind of feeling
in people when they listen to my record it will be a huge success for
me - I'd love to be able to have a hand in helping people revisit or unlock
their own dreams."
Mission
accomplished.
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