When Johnny Reid decided to name his new record Dance With Me, it was as much an
invitation to his fans to get up and dance as it was a call to celebrate the things
that bring you home, even if home is thousands of miles away.
“Life gets busy,” he says simply. “You get caught up in work and the worry of life and
business, and before you know it, it’s kids and school and basketball, and you forget
about the small things.” He should know. With a family of his own and a busy touring
schedule, you might think he’d lose sight of the small things himself from time to time.
But the truth is, on Dance With Me they’re never far from his mind…
Over the past two years, Reid’s 2007 sophomore effort, Kicking Stones, has been kickin’
ass. Certified Platinum in Canada, it has garnered the Scottish Born, Nashville based
Canadian singer/songwriter CCMA’s for Top-Selling Canadian Recording and Top Male Artist
in 2008, as well as a Juno nomination for Country Recording of the Year. Its also gone a
long way to establishing Reid as an undeniably bright star in the Canadian Country Music
firmament, yielding two top ten radio singles in “Love Sweet Love”, and “Kickin’ Stones”,
and the runaway hit, “Darlin’”, which sailed into both the top five at radio, and the number
one spot on CMT last year.
Out of the gate Dance With Me is promising to be an even bigger success. It’s already making
an impression with the lead single, “A Woman Like You”, which went straight into heavy rotation
at CMT and was the #1 most added track at country radio in January 2009. And now, well before
Dance With Me hits stores on March 10, Reid’s Spring Theatre tour is selling out multiple nights
in both major and secondary markets across the country – including 4 consecutive days at Winnipeg’s
Club Regent Casino.
In 2008 Reid racked up over 120 shows, and his fans – his Tartan Army – have packed them all; singing
every word and connecting with him on what he feels is a whole new level. “It’s been a great year.
Unbelievable, and unbelievably humbling, to have so many people not only buy the record but show up
to the concerts.” On Dance With Me Reid returns the favour, speaking directly to the front row with
songs like “Hey-O”. Telling his crowd to ‘Look to your left. Look to your right. Everybody here is a
“The big thing with this record was that I wanted it to be danceable. I wanted for people to be able to
get up in their living room, or at the bars, or at the concert hall and dance.” Between the infectious
grooves of standouts like “Take It Outside” and “Keep Workin’ On Me”, they won’t be able to help themselves”.
With a nod to the upbeat flavour of his debut, 2005’s Born To Roll, and an eye to kicking his live
set up a notch, Reid adds some serious steam to his sound on Dance With Me: rollicking pianos,
soaring strings and tight horn arrangements that mine Country, old time Soul, R ‘n’ B, and Rock
and Roll alike. But he does so without ever losing the forthright intimacy that fuelled Kicking
“Anyone who knows me knows that I try my very best to keep it as simple as possible. When I sit
down with a guitar I really try to be straight to the point, straight to the heart, and make sure
whatever I’m singing is cold, stone, truth.” And that’s what drives people to his music: his ability
to deliver the straight goods - deeply personal sketches of transcendent, yet simple moments, taken
directly from his life, but painted in broad enough strokes you can inhabit them yourself.
“Here’s the thing,” Reid says. “You gotta take care of the people that take care of you. I really
wanted to make a record that would speak to all the people who listen to Country radio, all the
people who’ve changed my life.” Over the past two years of shows he’s gotten the chance to know
some of those people. Meeting them and hearing their stories, he explains, allowed him go into the
writing and recording process of Dance With Me with an exceptionally strong sense of what the content
and rhythm of the album should be.
While recording in Nashville’s Blue Room studio, Reid and co-writer, producer, and close
personal friend, Brent Maher, placed the emphasis on getting strong performances live off the
floor, cutting vocals and the band’s tracks simultaneously. To do so they brought together a
crack roster of talent and got the bulk of the album in the can in only two days: return
appearances by Vicky Hampton, who’s backed legendary performers like Garth Brooks, Dolly Parton,
Bruce Springsteen, Kenny Rogers and Billy Joel; Keyboardist Gordon Mote and co-writer and guitarist
Mark Selby; members of Mark Knopfler’s touring band, including Glen Worf (Bass), and Richard Bennett
(Guitars). As well as bringing in new players, like Nir Z on Drums and Percussion, who’s recorded
with the likes of Genesis, Joss Stone and John Mayer. The chemistry was undeniable says Maher.
“We captured almost all of Johnny’s vocals with the band. Nothing, nothing compares to the band
and the singer reaching the moment together, and making a record at the same time.”
“I wanted there to be a real sense of continuity between Kicking Stones and Dance With Me,” Reid
explains. There is. It’s drawn from the very heart of Kicking Stones’ final single, “Thank You”,
an open letter home from Johnny to his family. But where songs like “A Moon To Remember” and
“Brings Me Home” follow in the same vein, the title track, “Dance With Me”, picks up right where
“Thank You” left off. “I wanted a song just like that. That was simple, pure, and spoke the truth,”
Reid says. “When I first met my wife we rented a wee place. We had a couple of kids, you know, and
sometimes at night we’d just go into the kitchen or living room, throw on some music, pour us some
wine and just dance. That’s where “Dance With Me” came from.”
Whether it’s on playful songs like “Old Flame”, or those that speak painfully and candidly about his
own losses, like “My Old Friend”, Dance With Me never fails to throw the simple truths that threaten
to escape us in the noise and hustle of everyday life into stark relief. “It’s about how you live your
life. It’s about takin’ a wee bit of time to spend with the person you love, to sort of get lost in a
moment and get back to basics.” That is, perhaps, his greatest strength as a songwriter and a performer.
An ability to reaffirm for himself, and his audience, that nothing is more important than love, family
nd the small things that makes life more livable.
Regardless of whether you’re an old fan or new, Dance With Me is a reminder to make room for those people
and to treasure the memories that can bring us all home when we most need them to.