“I sleep, eat and breathe music from when I wake up until I go to bed.”
Don’t believe the hype—stars aren’t born. They’re self-made, assembled from skills,
drive and heart. These are the building blocks that launched the steady rise of Danny Fernandes,
R&B’s newest northern light.
Of course, it helps to be part of a constellation. That’s why 22-year-old Fernandes, born September
16th 1985, joined forces with Canada’s hottest urban indie, CP Records, home to hit-makers Massari
and Belly. “This kid is a triple threat. He's headed to the top,” boasts Belly, who recruited the
young singer/songwriter/dancer into his revolutionary army invading Canada’s airwaves.
The pair are leading the charge with Fernandes’ latest synth-fuelled club smash “Private Dancer,”
but Danny doesn’t think he can dance—he knows it, Canada. It’s been his whole life since age six.
Intro might be Fernandes’ first album, but he’s been working his way up since he was knee-high. Born
the middle child in a musical Italian/Portuguese family—his grandfather was an opera singer, his big
brother is early ‘00s radio staple Shawn Desman—Fernandes took to dancing to keep out the shadows.
He proved a quick study with an ambitious streak.
By eleven he had an agent and was dancing in commercials. By 16 he was practically drowning in gold
medals, even netting two consecutive (and aptly-named) Rising Star awards in the annual CNE dance battle.
At the same time, he blew away thousands of competitors to become the youngest member of the Toronto Raptor’s
famed Dance Pak and started appearing regularly as a backup dancer in music videos.
“A lot of parents don’t support that as much as they would a doctor, a dentist or lawyer,” Danny recalls.
“When I told my parents, they said ‘let’s do it, you gotta work.’”
Soon after, he hit the road with the likes of Aaron Carter, Blackstreet, Deborah Cox and, of course, his
brother Sean, with whom he toured the world for an entire year, even playing the NBA All-Star game in Atlanta.
By the time he returned to Canada, Danny was ready to step up to the mic. He hooked up with then-fledgling
producer Pilzbury and the pair ensconced themselves in a Brampton studio. “From there on we made history, man,
we just made music every day.”
One of their first collaborations, way back in 2003, was the song “Curious.” In a rare case of piracy gone
right, the track mysteriously leaked online (“I don’t know who did it,” Danny says, “but who ever did I want
to thank”) and was discovered by a DJ in Germany who pressed it to bootleg vinyl. Fernandes’ MySpace page got
flooded with requests and soon touring Europe for months on end and topping club charts.
Then it was high time to conquer Canada. Fernandes didn’t have a label yet, but that didn’t hinder him overseas.
So late last year, he sent “Curious” down to New York and the hot track easily convinced rapper Juelz Santana to
drop a guest spot. Then Danny started working radio—not as an “indie” but as a true independent artist. Without
any label backup, “Curious” shot up radio playlists. By the time he’d soared, solo, into the top 20, CP Records
snatched up this fresh talent.
You only get one chance to make a first impression, so Fernandes and Belly hunkered down in the studio to write
the songs that would become his debut album Intro. “I make music that I can dance to,” Danny says matter-of-fact.
“That’s what I do because I was a dancer before I was anything else.”
So rest assured Fernandes knows how to move hips. His debut is rammed
with addictive club bangers, led by “Curious” and his fiery new floor-filler
"Private Dancer.” Built on spectral synths and skintight beats, Danny’s sexed-up
songs, even the slow numbers, are purpose-built for getting down and picking up,
busting moves and breaking hearts.
Since taking his first steps towards stardom, Fernandes
ambitions have only grown. The singer-dancer is positioning
himself as the next Chris Brown or Justin Timberlake. It’s a big goal,
sure, but so far Fernandes has cleared every high bar he’s set.
This album might be his intro, but there are more chapters to come
.“Keep putting out singles, keep putting out albums, keep putting out videos,”
Fernandes says. “I don’t ever plan to stop.”